Peloto Cabras Mulusa Olve

by Reynols

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Record/Vinyl + Digital Album
The first vinyl issue includes two unreleased bonus tracks and a screen-printed poster with a fantastic illustration by Fran Vega.

Includes unlimited streaming of Peloto Cabras Mulusa Olve via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Peloto Cabras Mulusa I 14:02	buy track
2.	Lavio Peve 06:06	buy track
3.	Peloto Cabras Mulusa II 15:29	buy track
4.	Ambres Macia 04:41	buy track

about

Many things have been said about Reynols over the past 30 years but altogether seem not yet enough to poroperly describe the unclassifiable Argentine group formed by Miguel Tomasín, Roberto Conlazo and Anla Courtis. Now Calar Music is proud to present Peloto Cabras Mulusa Olve, an album appeared at the very end of the XXth Century bringing a vivid sonic portrait of one of the wildest periods of the band. After a whole year playing monday-to-friday as house band of a Medical TV show broadcasted on Argentine’s National Channel [ATC], the group recorded these remarkable tracks back in 1999 at their own Ornitivo Studios in Buenos Aires. Based on a trio line-up, with Tomasín’s verbal laboratory in all its glory plus his chunky drums and a playful pair of sharp guitars jumping electrically all around, the band reached an intense trademark distorted sound. Recorded in a complete analoge mood -due to magnetic tape’s magic- and without overdubs of any kind, this music remains as a milestone of a savage era. Raw, powerful, vital, oneiric and beyond description, this obscure gem was originally released as a 1999 ultra-limited tape, which sold-out that same year. This LP brings the album to the new century carefully remastered by Myles Boisen (who worked with artists such as: Fred Frith, MX-80 Sound, Daevid Allen, Malcolm Mooney, Anthony Braxton or David Lynch) and also expanded with two unreleased tracks from those epic sessions. Decades before appearing on the cover of The Wire Magazine, receiving the Henry Viscardi Achievement Award or becoming a one-of-a-kind brand name in the field of global experimental music, Reynols were already active and certainly on fire: Peloto Cabras Mulusa Olve stands as an historic sound document to prove it.

“The most important thing to come out of Argentina since Borges” Jacob Heule (WSUM Program Director)

“I know Reynols indeed: they are among the most experimental and wild people I’ve heard” Thurston Moore - Thurston Moore (Rolling Stone magazine #201. Arg. Dec. 2014)
“I don’t want to forget them for a minute!” Pauline Oliveros (The Wire #209. UK. july 2001)
"The Reynols frontier is, in terms of sheer sonic, aesthetic, and conceptual creativity, an infinite expanse. It doesn’t break out of barriers so much as it evaporates them. It’s not that the rules don’t apply in Reynols music. It’s that nothing applies. The sound is itself, and everything else." Marc Masters
“Reynols, it is just like a shaman. All the sounds of them sound like Argentine earth.” Doronco (Los Doroncos, Les Rallizes Dénudés) Tokyo (28/6/2018)
“Amazing and bewildering” - Kevan Harris, Dusted Magazine (26/2/2004)
“Not of This World” - Nashville Scene.USA (25/10/2001)
“Reynols is the Most Important Band in the History of Rock” Kurt Gottschalk, Star Revue (NY)

credits

released March 17, 2023

Miguel Tomasín: vocals & drums
Roberto Conlazo: e-guitar & marmonio
Anla Courtis: e-guitar & rovelio

Recorded by Reynols at Ornitivo Studios Buenos Aires,1999
Produced by Reynols
Mastered by Myles Boisen
Artwork: Ozalnoc
Design: Flor Orunesu
Inside poster: Frank Vega
Thanks to: Cristian López, Tomasín Family, Russ Waterhouse, Frank Vega, Lasse Marhaug, Pauline Oliveros, Ione, Damo Suzuki, Pacu Conlazo and all the friends everywhere

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about

Reynols Buenos Aires, Argentina

Argentinian experimental band that began in 1993 as Burt Reynols Ensamble. They changed their name to Reynols in 1996 following legal action.

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